
Ladies Only/79 mins/ B&W/ Documentary/ 2021/ Direction, Edit & Production
“What makes you angry?” asks the filmmaker. A small film crew enters the ladies compartments of the local trains in Mumbai. Chance encounters and acquaintances are invited to reveal their opinions, their confessions and their stories in a ‘public’ space. Their diverse answers thread themselves into an unfolding tapestry of details and observations. The light on the faces, the figures in the background, the driving noises of the train and the interactions between the travellers bring the space alive. Black and white images distill the essence of the space. A poetic rhythm takes us across Mumbai and it’s mix of cultures, languages and faces, providing insight into how urban Indian women see and shape their lives. Through a feminist lens, the filmmaker explores what ambitions and freedoms mean for women in a hyper-industrial, wealth-driven and complex world.

Ships Outside My Window/29 mins/Colour/Documentary/ 2018/ Direction, Camera & Edit
An exploration of the filmmaker’s father’s life as a seafarer in increasingly tough global conditions. Set in Mumbai, the view outside the window, is a voyage into the liminal spaces created by mental illness. It explores the affective struggle of a family in its crosshairs. The history mined from her parents, serves to reflect on the nature of memories itself. It is a determined coming-to-terms with those memories that have shaped her present day preoccupations and positions — a contemplation of the mind, especially the mind out of control. The sea, she roars.

Echoes/10 mins/Colour/Experimental Film/2008/Direction & Edit.
The film is an experiment, an attempt to investigate the notion of life; As it has always been, as it is today. It is a subtle social comment whispered through sound and visual. The film travels from the timeless into the crevices of modern busy life and resorts to the poetic image to facilitate a kind of movement of thought in the viewer. In this kind of story-telling, rhythm and pace are key conveyors of narrative; Tonality and composition are stimulants for the eye to create meaning; and the subjects and sequences are the architects for structure. An existential apathy forms the soul of the film.
Watch it here.
The Artist and Public Space
Jaaga study – Code for india (learning x prize)
Self-Portrait
The first in a series of video letters that were meant to be sent between students at Srishti – School of Art and Design in Bangalore and students of a film school in Rio de Janeiro. (2007)